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Elliot Heinrich is a London-based music producer, mixer, engineer and songwriter- specialising in developing emerging artists.

He's been involved in music production for more than 10 years in some of the finest studios across Australia and the UK producing a diverse range of musical styles.

He’s gained invaluable insight working with Grammy-award winning producers John Merchant (Michael Jackson, Bee Gees, R. Kelly), John Hudson (David Bowie, Pink Floyd, Pulp) and Declan Gaffney (U2, Adele) and worked with Mercury-Prize winners Little Simz and Michael Kiwanuka as well as MetronomyNico Godin (AIR) and POND.

His production strike rate is impressive with his work accruing tens of millions of streams on Spotify, more than 30 singles played on Triple J, plus A-list rotation on BBC 1, BBC 6, KEXP, XFM and Amazing Radio. His work has been nominated for 5 Queensland Music Awards (winning 2) and has been featured by NME, Rolling Stone, Hype Machine, Noisey, DIY, Clash, Line of Best Fit and a host of other international press outlets.

His work has featured in films: Venom: Let There Be Carnage, All That Breathes, What They Had, The Real Charlie Chaplin and the upcoming Midas Man feature as well as soundtracking FIFA '22 Starbucks and Lexus TVCs.  

His work has been released on labels: Because, PIAS, Sony, I OH YOU, Spinning Top, Caroline, Chess Club, Yala!, Ego Music, Create//Control, etcetc.

Fronting his own projects Polyamory, Pop Cult and Archdukes he has toured Australia, won Triple J's Unearthed competition and achieved airplay and press at home and abroad.

Elliot’s tireless work ethic and passion for creative expression, coupled with a focus on a positive production experience ensures the highest quality result and an enriched, challenging experience for every artist he works with.

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